How it was
Performance 17/12/2022

THE WIND OF PLEIN AIRThe First Word

We all — both those of us shaping these thoughts, and you who have taken the time to read them — are on the way to something. So often, rushing through our days, moving quickly from one to the next, we find it increasingly difficult to make space for our own reflections.

 

In search of a pause during a насыщенный December, we began to wonder how we might feel the passage of time anew — and where that point lies at which the most fragile and beautiful becomes clear and tangible, filling the space around us.

 

On December 17 at 5:00 PM, the swift brush in the hands of the renowned impressionist Bato Dugarzhapov, seemingly impossibly small against the vast blank canvas, created almost the only movement within the unfolding scene. The shared silence, delicately interwoven with the sounds of wind and birds, gently held everyone present in a quiet, attentive stillness.

 

No grand statements were spoken aloud. Silence enveloped the bare walls. This contemplative pause allowed one to feel the tension of stillness itself. Above — nine meters of raw concrete. Before the eyes — tall grass, scorched by the sun. At the very center — a canvas where everything was only just beginning.

 

It became possible to stop, to turn inward, and to notice one’s own emotions within a constantly shifting world.

 

When a ray of the setting sun touched the western edge of the space, the artist finished painting. A blue horizon unfolded across the canvas, emerging from the mass of concrete.

 

Light fell upon a cleared table that gathered around it guests who were attentive and engaged. The space seemed to take in life completely. And each person found their own reason to remain in silence.